Bison members I spoke to agree that the closure of The Cobalt would (or is it will?) be a “huge blow” for the Vancouver music scene. “Bison has played The Cobalt probably about five times,” guitarist/ vocalist James Farwell tells me...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
LINDEN SINGERS OF VICTORIA SET TO FLOURISH WITH NEW MUSIC DIRECTOR, EDETTE GAGNE
A visionary leader for this choral gem!
[Victoria, BC, August 15, 2021]
Edette Gagné has been named Music Director of Linden
Singers of Victoria, taking...
Interview with HHH was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
HHH: We all met through playing in other projects together. For example, our drummer, Pher, and Ch...
Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
Swank sashayed out of Van this summer. How many gigs in how many nights?
6 gigs in 6 sweaty nights! It was like a military operation, but with booze.
Name clubs and the bands that you played with.
The Grateful Fed, Kelowna, The S...
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.