Lucky Bar owner Dylan Pitcher was on the phone from inside his Yates Street nightclub Tuesday, chatting while he rapidly ticked the final items off his “maybe one day” list of renovations.
Replace baseboards? Check. Install new oak tabletops? Check
YAM talks to artist Ashley Wilson about her collaboration with photographer Taylor Roades.
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
Bruce Dean’s story is one of inspiration and creativity.
After a skiing accident left his knees badly injured he was prescribed a mobility scooter to help him get around, something he personally viewed as “a death sentence.” He did...
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
On July 2nd I had the pleasure to interview Old Man Markley on tour with NOFX, & Teenage Bottle Rocket. With their hard work ethics they deserve every opportunity that comes their way. With their high-energy stage presence they give you a t...
INTERVIEW
Wantmonster are straight off the hard streets of Nelson B.C. Ok, the streets there aren’t very hard, unless you’re afraid of hippies with giant dreads that look like matted down stinky beaver tails, and who isn’t? Wantmon...
It always does me proud to discover a local band making quality music that's true to the landscape of this varied terrain. Rocky, cool, stormy, eclectic, thoughtful and laid back, these words only begin to describe the Parlour Steps sound. ...
Catching up with Montreal blues and roots rocker ahead of acoustic performance November 7 at The Cove Inn
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio