Bumblebee is the first of five never-before-heard songs.
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
Richards on Richards, July 2
As someone far more familiar with the Modern Lovers than Jonathan Richman’s solo output, I had little idea what to anticipate from his show. All I know is that it took place on my birthday, and Mr. Richman ...
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
For those unknowing, Bison are Vancouver’s currently-reigning champions of The Riff, trafficking in mercilessly heavy, sludgy, and addictive sonic terror. Think discarded beer cans peppered with shotgun holes, full-size back-patches, pall...
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
"I remember one of the last times he saw me, he said, 'Please make sure everybody hears this music.'" Promise kept.
Nervous Fellas with Deadcats and Swank
June 20th, The Rickshaw Theatre
By Allan MacInnis
I remember witnessing a leather-jacketed rocker viciously take to pummelling a much smaller, dreadlocked kid at a Reverend Horton Heat show a few...
With the Christmas and New Year festivities well and truly over it’s time to shake off the January blues and for our first gig of the year we are once again heading off to The Underworld in Camden. On tonight’s bill there are death metal acts from thr
A review of Everybody Left's Season One (2009 - 13) compilation album.
Over 19 guitars and plenty of other musical equipment has been stolen from a number of Vancouver punk bands.
“They used a crowbar and pushed through to force the door open,” said Billy Bones of Vicious Cycles, one of the bands who practiced in Gour
Danton Jay and Heather Lynn's album, Decades After Paris, was the poster project highlighted to invite other artists to send their music to the United Nations.