Launch Pad is pleased to introduce our 2017 - 2018 "A Kingdom for a Stage" Season
For the second year in a row in downtown Kingston, Spring Reverb brought a whirlwind of kinetic energy from June 1 to 4, ringing in the new month with music, mayhem and magic with its 2023 edition. We sent photographer Virginia Meeks to capture it all, an
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
Interview with The Delirians done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where did you guys meet? When did you decide to form the band?
Delirians: Most of us, like many other bands, grew up in the punk rock scene, ...
IGNITE X
Toast Of The Town at The Wise Hall
May 20th 2009
Tonight The Wise Hall looks like something out of an Elvis Presley movie: the young crowd in fancy dress appropriate to 50’s dancehall goers, as the best youth talent Vancouve...
Review of “Oscillatio” exhibit by Sarah Cowan and Connie Michele Morey at xChanges gallery.
Victoria’s Tequila Mockingbird Orchestra recently played Upstairs Cabaret here in their hometown of Victoria with locals Compassion Gorilla and Carousels opening up. There was a strong sense of community and no shortage of dancing at the ...
When I last interviewed Vancouver punks the Rebel Spell, I was surprised to discover that, long before the band had formed, their singer and principal lyricist Todd Serious knew the Subhumans’ Gerry Hannah. Stepha and Todd were living in ...
On the evening of the band’s record release party at The Red Room, Factory Worker Media met with Unleash the Archers guitarist Grant Truesdell in the building’s old vault to discuss challenges to songwriting, community-building, and navigating the roi
Nearly Famous Music Festival
Friday, November 14 @ Railway Club
This night had a definite New Wave feel to it. A draft choice of late 70's and early 80's influences was bandied about. Streetlight, a four piece of bass, drums, keyboard...
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved