Agent Orange, China Creeps, Life Against Death, Plus Perfect
The Cobalt, Sun Feb 22nd
It’s not very hard to be the hot ticket on a Sunday night, and when Agent Orange was in town what would you rather be doing? Watching some ‘Simp...
Interview with Dope Soda was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
Dope Soda: Well Dope Soda was a project I have been wanting to do for a v...
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
Cadence Weapon
Afterparty Babies
Big Dada
4/5
Canada doesn't produce a whole lot of hip-hop in general, let alone the sterile mall haven of Edmonton. As such, the sophomore album from Rollie Pemberton (aka Cadence Weapon) is going to ...
Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
The artfully lit Copper Owl in Victoria, B.C.
The Sweatshop, June 22nd
I walked into the dimly-lit Sweatshop to catch the tail end of System Shit’s wonderfully sloppy set. Who would have thought that a punk gig would start at 7pm? Fear of Tomorrow hit the stage and began to sonica...
“Fucking Amazing,” says drummer Joshua Wells about Black Mountain’s current North American tour. “This is the best tour I’ve ever been on. It’s been unbelievable at times! We’ve played a few places we’ve never been before…...
The Wrecktals – Speaking their mind from time to time.
An interview with bassist Christoph Leon
by Denis Maile of The Skinny
DM: How did you come up with the band name?
CL: As a reminder to never take ourselves too seriously, re...
Who are you?
Joey Blitzkrieg: Vocals and guitar
Dr. Dylan Danger: Guitar
Lector Kurrentz: Bass
Matt Von Dander: Drums
Mikey Screwdriver is our roadie, mediator and leads a double life as the Death Rider.
Dwight Lightning does all ...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio