Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
Saturday November 15th 2008
What was supposed to be a review of one show has been altered by restless feet and a desire to see a couple of shows if possible in one night. Canucklehead punk veterans SNFU pinned the audience to the mat at...
Parts 1-5. An account of surfing in the Juan de Fuca (JDF) region on south Vancouver Island. No beaches are named in this book. With photos and contributions from Rivermouth Mike, James Murray, Danny Amato, and Bob Kemp, there is a special focus on the na
How MISSA afforded an opportunity for a local artist to exhibit her work in New York and the events that flowed from it. Metchosin International Summer School of the Arts (MISSA), local artist MaryLou Wakefield, Master Printmaker Dan Welden, Southampton
Metal Blade Records
Bison is the most hyped band in Vancouver right now. Sometimes hype can be a tough thing to deal with, but these fuckers keep coming through every time. Every show is better than the next, so every album is obviously ...
Cadence Weapon
Afterparty Babies
Big Dada
4/5
Canada doesn't produce a whole lot of hip-hop in general, let alone the sterile mall haven of Edmonton. As such, the sophomore album from Rollie Pemberton (aka Cadence Weapon) is going to ...
Over a pitcher of Molson Canadian at the Princeton Pub, while a startlingly able roots-rock ensemble hosts the open stage night behind our table, we ask Bison’s vocalist-guitarist James Farwell how he feels about his band’s recent signi...
The Birthday Party Paintings by Christine Clark reviewed by Debora Alanna
‘The Birthday Party Paintings' ~ 3-19 October 2014
Xchanges Gallery
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
The Sons up for Group of the Year at the 2021 JUNO Awards
Chrystal Phan is a story teller. The tales she tells in her debut solo exhibition are monumental and multi-hued. They feature stories she’s heard from family and friends, embellished by her own imagination. All her paintings document some aspect of the