Articles
The articles system connects profiles in our system to articles written about them, and vice versa. It provides a cultural record of what people are saying about artists, organizations and places in our community, and helps give credit to the articles' creators
Articles - Podcasts
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Articles - Podcasts
EL Have Been a Band for 10 Years
Eric joins Jon Williams on the Afternoon Zone to talk about the upcoming 10th Anniversary of the band.
Interview with Rocky Mountain Rebel Music
Interview with RMRM done in October, 2012 by D'Arcy Briggs
Ska Fest: So first off, RMRM have become known as one of the region's best ska, reggae, and party bands. What were some of the original ideas behind the group and how would yo...
VIctoria Musicians Stage Tribute to Gord Downie
Victoria musicians stage tribute to Gord Downie. Proceeds benefit Cool Aid Society and BC Cancer Agency. Interview with Lola Parks. Show organized by James Kasper of Mighty Speck Records.
Things Are Getting Hairy: Bison BC prepares for Dark Ages
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
Bats in The Broom Factory: Bat Sabbath show review
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Interview with Marcus Geard and Glen Pine of THE SLACKERS
This interview also appears in issue #51 of Absolute Underground.
New York’s The Slackers have been combining ska, dub, reggae, and rock n’ roll for over 20 years. The Hellcat Re
Rich Aucoin – The Peanut Gallery
Fri Jun 20th, 2008
I played an acoustic show with Rich last summer at Hoko’s on an invitation from Ryan of Collapsing Opposites. Rich was touring on his bicycle from his hometown of Halifax to raise money for the Childhood Cancer Founda...
IN SEARCH OF THE SOURCE OF THE TALE: AN INTERVIEW WITH TUOMAS HOLOPAINEN OF NIGHTWISH
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
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