“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
Fake Shark Real Zombie at Biltmore Thursday October 16
I missed opener The Green Hour to attend the fundraiser at Pub 340 for the guys in The Hotel Lobbyists. A tragedy of that scope has not hit the Vancouver scene in many years and the ...
Cambridge has been prominent in the Vancouver punk scene since late 2005. Tour is nothing new to them; this is their second cross-Canada run. The first one went quite well up until a breakdown in Brandon, Manitoba caused them to miss some s...
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
I entered Pat's Pub on Friday March 12th in the year of our lord 2010 to experience Motorama for the first time. There were three bands in the evening and Motorama opened. When I say opened, I mean OPENED. This power trio of punk dug int...
"Whether they're designing visual identities, wooden coasters or stage sets, Studio Robazzo's eco-design approach is about changing our perceptions of what's possible."
Bluegrass fans were treated to a lively and fun evening Friday night, Nov. 4, at Char's Landing.
Bluegrass Fever tore through an eclectic repertoire, consisting of traditional American tunes like Sweet Sally Brown and Fly Around My Prett...
Joey Chaos and The Ghosts have released their new single, “Fear.” The first in a series of recordings to be released in the coming months, the song is gritty and compelling. A mixture of 90s rock n’ roll and 80s new wave, their brand ...
The ‘Kill the Elite’ tour has been mercilessly trampling its way across North America, and with tonight’s show including Vancouver’s newest international extreme metal export Archspire and being headlined by Canadian legends Katakly...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr